The Musings Of An Opinionated Sod [Help Me Grow!]


I’ve Started A Cult. Apparently …

Another day, another post about my love of China.

So a few months ago I was there for the opening of a clients latest venture.

You should all check it out because it’s a luxury fashion mall THAT LOOKS LIKE MARS!

Literally.

It was specifically designed to feel like you are on a space station on another planet.

It features everything from luna modules to robot sheep to video screens that look like skylights that show you in outer space.

It is utterly mad and yet truly amazing.

A place that is like no other I’ve seen anywhere else in the World.

But then, without wanting to sound a corporate toadie, the client is like no other I’ve met anywhere in the World … even when I was living in China, which tends to have a lot of brilliantly ambitious folks than anywhere else I’ve lived.

I have to do a post about him soon because not only is his influence on the fashion world almost unparalleled – and I am comparing him to people like Anna Wintour in that statement, let alone the heads of Gucci, Prada and countless others – but in the time I’ve worked with him, he has taught me to look at strategy in a completely new way.

Given I’ve literally been working in this discipline for more years than you care to mention, that’s pretty amazing … so I am sure you would find him pretty fascinating too.

Anyway, as part of the project, I was interviewed about what we have been doing for him and how we have worked together.

I talked about how much I love China and how much of an honour it is for me and us to be able to go there and help with a once-in-a-lifetime project. This may sound like I was a total crawler, but the fact is it’s all genuine.

We have been allowed to influence and shape at the highest level – strategically and creatively – and that’s been amazing, especially when there have been times you’ve disagreed with some of the things they wanted to do.

That’s hard for companies to hear at the best of time, but when it’s the billionaire founder of an international fashion group, that’s a whole other level of sensitivity and yet he has been nothing but open to us because he knows we’re not doing it for any other reason than wanting him to win better.

And when you’re talking about creating Mars on earth, ‘winning better’ is going to be crazy fun, whatever way you look at it.

But back to the interview.

So off we head to China for the opening.

It was packed with press and celebrities.

Billionaires mingled with paupers – errrrm, me – fashionistas rubbed shoulders with fashion disasters – errrrm, me again – so imagine their surprise when the start of the official opening included this …

Yep … that’s me.

Yep … that’s my interview.

Yep … no one understood why I was there or what I was saying.

I’d love to say I was all cool, calm and collected, but I – along with my colleagues – were pissing themselves laughing.

It was madness and awesome all at the same time.

I didn’t know whether it was like a remake of the classic 1984 Apple ad. or my attempt to be the leader of a Birkenstock cult … but it was like nothing I had experienced in my life.

Which is another reason I love this project and miss China.

Because when you are working with someone who believes anything is possible – and has the drive to make it happen – the journey is equally as much fun as the destination and I feel massively fortunate to be on it.

Even if there are people all around the World asking themselves …

“Who the fuck was that old guy in the camo Nike hoodie?”



Marcus Brown …

For all the shit I get on this blog, it has served me well.

I’ve learned things.

I’ve been put right on things.

I’ve learned my view on things can drastically change over the years.

But one thing I treasure most of all – even more than the daily abuse I cop – is how this blog has brought new people into my life.

One of those is Marcus Brown.

I’ve known Marcus for over 10 years.

It all started when he stupidly wrote a comment on this blog.

And while I’ve only ever met him once – last year – we have talked a lot via email and video.

I think he would agree that we have both experienced some personal highs and lows over the years we have known each other – because life works like that – but through it all Marcus has kept me entertained and on my toes with his infectious, brilliant, madness.

I don’t mean that in a mean way.

In fact, it’s the highest compliment I can give.

Hell, I can’t think of many people who could inspire me to make a crowd of ad students say hello to Sacrum, a character he created or contribute to iPod singing … another idea he brought to life.

Marcus is one of those people, everyone roots for.

He’s creative, dynamic, full of character and compassion … which is why I was so consistently disappointed an industry that talks about valuing creativity consistently overlooked or devalued his talent.

Without going into too much detail, I know this affected Marcus as well.

He had so much he had to offer … so much he wanted to do … but time and time again, his creativity was challenged or questioned. Not from the perspective of wanting to understand things more clearly, but from devaluing what he had to offer.

Which is why the last few years have been so rewarding.

For him … and for me, watching him.

Because Marcus has found his voice … his purpose … his calling.

He proudly calls himself a Performance Artist … because that’s what he is.

Don’t take my word for it, even Forbes – the business magazine – says so.

But not all is quite as it seems.

You see while Marcus is indeed a Performance Artist, he’s also an author.

You see he has written a book called ‘A Wicked Pack of Cards’.

And it’s brilliant.

I’m not saying this because I’m kinda in it [He stupidly asked me to write a review, which is the pic at the top of this post] but because it makes you think, imagine, feel and question.

It’s one of those books that you think about well after you’ve finished it …

I loved it and I fully encourage people to experience it for themselves.

You can buy it here.

Which brings me back to this blog …

You see, by continuously writing my rubbish, I’ve been able to meet and follow people I would otherwise never have known.

In Marcus’ case, I’ve been able to see how life has changed for a talented, kind, generous man. Where once his life was full of challenges, now it is bursting with happiness … from the love of his life to the time of his life … and I can think of few people who deserve it more.

Watching him create, invent, stretch his boundaries and being prolific in his expression is both inspiring and exciting which is why I can’t wait to see what his mind gets up to next.



The State Of Adland In [Another] Picture …

Yes I know I wrote about this just a few weeks ago … and this is my attempt to ease us back into working life … but the wonderful Mr Weigel misguidedly sent me a photo [he was jet lagged, so he forgot how stupid an idea this was] that highlights how the downturn in traditional adspend is having an impact on the entire industry.

This …

Let’s face it, when one of the best agencies in the World is diversifying to make some coin, it must be bad.

On the plus side, when my mates at Adam&Eve see this post and tell me to go “screw myself”, I’ll interpret that as them offering me a solution, not being angry. Perfect.



Argos Is Christmas …

When I was younger, I discovered the ‘Argos’ catalogue.

It was at my Grandparents house and it was a bloody revelation.

For those who don’t know what Argos is, imagine Amazon.com before Amazon.

A place where you can buy a huge array of products, all of which were featured in an annual catalogue which you could take home and peruse at your leisure.

[It’s also famous for little pens – now pencils – that you would have to use to fill in the forms to get the products when you went into the store. Pens/pencils that I would say everyone in England has ended up keeping at some point in their lives]

But for me, it only had 2 uses …

1. To get a glimpse at the future of technology.

2. To choose what I really, really wanted for my birthday/christmas.

Every time I visited my grandparents, I would run to where they kept the Argos catalogue and spend hours going through all the pages, gazing lovingly at digital watches, calculators, the emergence of hand held ‘electronic’ games and – eventually – computers.

Every year the catalogue came out, I would be see the advances of tech in front of my eyes.

But more than that, for the right money – I could have it.

Of course I – nor my parents – had the right money except maybe at Christmas, but a boy could dream … and boy did I.

I still remember the excitement the first time I saw Astro Wars … a handheld version of the video game Galaxian

It was like the impossible dream.

A full sized video game shrunk into a small box.

What sort of weird wizardry was this???

I still remember how a bunch of us at school saw it at the same time and we all knew it was the ‘must have’ present for the year.

I was incredibly lucky to get it that year … and while it was a bit crap, I still utterly loved it because to me, that was cutting edge tech.

[As an aside, I just discovered it cost £28 in 1980 – the equivalent of £100 today, so I am utterly gobsmacked I got it given my parents would have had to have saved up for months to afford that. So thank you Mum and Dad, I never realized it was that pricey]

Anyway, the reason I say all this is that Argos have recently digitized all their old catalogues.

And while you may ask yourself, “why?” and “why would anyone care?” you’d be wrong … because if you’re a person of a certain age, the Argos catalogue was not a book of products available for purchase, it was a place of imagination and possibilities and while the stuff inside the late 70’s/early 80’s catalogues are full of the sort of tat even a ‘Everything for £1’ store, would turn their noses up at, looking through them all again, I can honestly say it ignited the excitement I had back then.

Truly.

And yes, that means I really have spent hours trawling through them all.

Again.

And what’s more, I don’t care how sad that makes me.

It was a magical journey down nostalgia lane.

More specifically, nostalgia that was specific to my life, not just everyone else’s.

America may have had Disneyland.

But us kids in Britain had the Argos catalogue.

You can explore the history of 40+ English imaginations, here and you can see why I think the Argos Christmas campaign – which links to the nostalgia theme of the old catalogues – is already the winner of 2019, below.



Best Of The Best Or The Least Bad?

Today I’m judging the Effies.

Oh awards …

I’ve written so, so much about them in the past.

Like here. And here. And here. And here.

I must admit, I am intrigued to see what they are going to be like in the UK.

Will they be a celebration of insightful efficiency or will they be like I experienced too many times in Asia, a stream of consciousness that just rumbles along till they think they have explained how they got to their idea and how they have proved it worked.

I guess we shall see later today.

I really, really hope they are good.

Not just because the Effies have always had a standard they’ve lived up to, but because it will give me faith the industry still has fight in it to do things right.

In my time in the UK, I’ve read a bunch of planning documents/portfolios/resumes that have been more about packaging.

Repeating a client brief in a way that has been ‘sexed up’.

Superficial.

Executional.

Literal.

There are a bunch of reasons for this.

Part of it is the lack of training agencies give their strategiests.

[Hence why we started the School of Strategic Arts]

Part of it is the huge amount of freelance planners out there who are doing exactly what they are asked because they are fighting for their livelihood.

And part of it is because of the client/agency remuneration deals which means planners are giving too little time to explore the best outcome to the problem they face.

Planning has a valuable role to play in effectiveness.

Planning has a valuable role to play in creativity.

But it needs to be allowed to do it to make it happen … so here’s hoping we see the best of what it can do today, because the Effies is not just important for the people who win, but for what the industry needs to get back to being.



Did I Play A Small Part In Brexit?

One of my favourite bits of work is Blackcurrant Tango.

There’s many reasons for this …

It epitomised the brilliance of HHCL.

It ensured I could work for 10+ years.

I’m even in it [one of the idiots running down the hill]

But recently I watched it again, and while I previously loved it with all my heart, it now seemed to have more of a sinister edge thanks to the Brexit-ridden times we now live in.

To which I can only say, I’m sorry … it was only supposed to be a bit of fun about British pride and eccentricity. Little did I know 22+ years later, huge swathes of England, would literally go stark-raving-bloody-bonkers.

However on the bright side, I might be Nostradamus.

Happy Friday.



Is This The Best Brand Video Of All Time?

Brands have been making ‘consumer films’ for decades.

You know the ones, where supposedly random people wax lyrically about how – or why – [insert brand here] is soooooo good.

Well recently I saw the best one ever made.

EVER. MADE.

Even better than those ‘insane button’ clips for Tesla from years ago.

It’s for Krispy Kreme Ireland – and frankly, they are better than most movies I’ve seen recently, let alone ads.

Apart from the fact the people appearing in it appear to be genuine ‘randoms’, this recent brilliant article in The Guardian highlights just how much of an impact the Doughnut Kings/Queens have had on the Emerald Isle.

Though I think the comment, “It’s like my first lesbian kiss, I’m confused but I love it” … is literally the pinacle of all possible compliments.

So sit back, grab a box of Krispy and enjoy …