The Musings Of An Opinionated Sod [Help Me Grow!]


That Was The Year That Was …

So this is it, the last post of 2019.

Congratulations, you made it.

Yes, I know it’s early given there is still a couple of weeks to go in the year – including the inaugural R/GA London Planner Pie-Off – but despite what you may all think, I’ve had a big year and quite frankly, I need a rest from here as much as you do.

When I look at 2019, it’s been pretty good.

Of course there have been a few sad events – my dear Aunt Silvana dying and Justin’s wonderful wife, Ella – but overall, things have been positive.

Even the Beijing Hotel incident was amusing.

But most of all, the fact my family are good, healthy and happy makes it a good year, especially when you think of all the changes that have happened in our lives.

For Otis in particular, he has embraced all of it like a champion and watching him have his first day at ‘proper school’ made me feel incredibly emotional and very, very proud.

Quite frankly, the fact we have managed to stay in the same country for over 12 months is something we feel like celebrating – but not as much as my bank managers is doing – and we’re super excited that we have bought our first family home, even if we’ve not yet moved into it and it meant saying goodbye to the home I spent the first 25 years of my life in.

In fact ‘settling in’ has been a great plus of 2019.

We have a house, cars, some friends and finally feel part of a community … I’ve got to be honest, it’s a lovely feeling … and while I know there will be other changes in our life at some point in the future, this is a time I’m eternally grateful for.

There’s other stuff I’m grateful for too …

Without doubt, doing the Warc talk at Cannes with Martin was a wonderful highlight.

We were quite nervous about it but it seemed to have gone down well and I will always remember it and for that, we owe a debt to the wonderful Mercedes – Martin’s fiancé – who told us to get on with doing our school because she was sick to death of hearing us talk about doing more things together.

Love you Mercedes! And Martin. But more Mercedes.

Another thing – which is a bit weird, but seems to have helped some people – is when I wrote my post about being bullied at work. The response was phenomenal which led to Corporate Gaslighting. And while the amount of stories people are sending in – or agreeing to have published – on there has reduced, I know it has helped some people and I am happy I did it and will continue to do it.

Then there’s the fact I’ve been able to spend a bunch of time visiting China.

I love that place. In fact I would regard it as my ‘home’, despite having left there over 2 years ago.

To be able to spend so much time there and be energized by the city while connecting to new – and old – clients, has been magnificent.

Talking of returning to old things, having Otis’ beloved Elodie visit from LA was awesome.

Seeing them fall into their old, caring friendship was wonderful.

As I have said previously, taking him away from her was one of the hardest things about leaving LA – and while I know distance makes things harder, technology has obviously allowed their friendship to continue, which is the best ad for tech I can think of.

While I understand being emotional about Otis and Elodie being back together, I was surprised how emotional I felt when I went back to LA – especially when I visited Otis’ old kindergarten – but I suppose even the shortest time living in a place, leaves its mark on you.

There’s a bunch of other stuff I’m grateful for this year …

Nottingham Forest … for actually making me start to believe again.

I know it will end in tears, but it’s a nice feeling all the same.

There there’s the Brian May Guitar I bought after only 35 years of waiting.

Seeing Rod Stewart and Concorde were nice, as was getting a comment from Queen producer, Mack, and his son on the post I wrote about Freddie Mercury going to a birthday party dressed in the outfit he wore for the ‘It’s A Hard Life’ video.

That the gods of metal, Metallica, decided to extend the project that I’m doing for them for another THREE YEARS was a major plus. To be honest, I’m still not sure what I’m doing for them or if they like what I’m doing for them, but it keeps Otis in free Metallica t-shirts, so it’s worth doing.

I also got a bunch of new people in my life that I did not know previously.

From the brilliant students at the Brixton Finishing School, to the talented – but totally bonkers – creatives of Dayoung, Mike and Sam and not forgetting the wonderful Joel, Erika, Amar, Megan, Ed and Hannah who all stupidly decided to become members of the delightfully talented gang of planners at R/GA.

Before I end this utterly boring – but important [for me] post, I just want to say thank you to 3 more people.

First is the wonderful Paula Bloodworth not only got engaged – to a man from Nottingham no less [hahahaha] but she got asked to move to Portland to run strategy for NIKE globally at Wieden.

She will be brilliant.

More than people know – and they already know she will be brilliant.

I have had – and have – the great privilege of being able to call Paula a friend. I’ve worked with her, argued with her, laughed with her and caused havoc with her and through it all, her talent and humanity has shone through.

Wieden are very lucky to have her. Nike are very lucky to have her. I am very lucky to be able to call her a friend.

Second is the brilliant Severine Bavon.

Sev has been a part of my team from the beginning and this month she leaves us to strike out on her own.

Not as a freelancer … but to start a company that offers a new model for creativity and strategy for agencies and clients.

I’ve said many times that everyone should start their own company at some point and I am incredibly thrilled and proud that she is going to do just that.

Of course I’m going to miss her.

She’s brilliant, tenacious, smart and a million things I am not.

But I believe a bosses job is to help their people go on to bigger and better things. Bigger and better things they may never have imagined. Bigger and better things where they are chosen for who they are not just what they do.

And while I don’t think I did anything specific to help Sev make this decision, I have a vested interest in watching her do her thing and cheering her as she does it.

Which she will.

Sev, thank you for everything … believe in your talent, follow your gut, burn everything down that stands in your way.

So that leaves the final person … and as usual, it’s anyone and everyone who has written or visited this blog.

Ranting. Arguing. Swearing. Complaining. Caring. Debating.

It’s all meant a lot to me and after this length of time of writing basically the same 5 posts over and over again, I don’t take it for granted that you pop by and pass on your wisdom/insults.

I hope you all have a great festive season and may 2020 be epic.

Hopefully not as epic as I hope mine will be, but epic all the same.

I’m off to Australia for some sun and warmth and I’ll see you on Jan 6th cold, miserable and wondering how the holiday season passed by so fast.

Ta-ra.



It’s Not Big. It’s Not Clever. But It’s A Bit Funny …

So Cannes sent out a ‘wrap up’ of things learnt from this years festival.

There was a lot of talk about authenticity and audience … great, intelligent speakers with genuinely fascinating perspectives on how we get closer to audiences without them just feeling like ‘the data told us what to say and how to do it’.

Again, this is not an anti-data thing. Far from it.

But for creativity to infiltrate, invigorate and ultimately move culture and business forwards, it needs to be resonant to the audience [and the brand] rather than be some semi-relevant message that has been designed to actively disregard the very things that makes us human.

For that I mean the messiness, hypocrisy, fears, complexity, loves, passions, habits and nuance of how we think, what we think and how we live … the stuff that gives us individuality … the stuff that is very different to just focusing on transactional data points that have ultimately been designed to give specific answers to specific questions that forgets the importance of context.

Great data folks understand the need for this.

Great planning folks understand the need for data.

Sadly, we still treat them as an either/or, which highlights our industry seems to be more focused on the ego of power and control rather than what can liberate the most interesting creativity. Ironically, while I think my attitude shows me in the most professional light that I’ve ever been, I recently got called a ‘corporate anarchist’ – which kind of reinforces my point – however all this is immaterial, because imagine the utter disappointment of the people who spoke their brilliance at Cannes and discovered in the wrap up, almost half the pages dedicated to this subject come from a ranty, sweary Nottingham lad.

Their loss.

The industries shame.

My unbelievable, unashamedly wonderful gain.



Behind Every Clean Process, Is A Mass Of Messy

I love chaos.

Always have.

In fact, my approach to work can be summed up in 3 words.

Culture. Chaos. Creativity.

And yet, I do appreciate the importance of some sort of process … some sort of systematic thinking in terms of approach … because ultimately we are in the commercial creativity business, so we need some guide rails to ensure we’re heading in the right direction, even if I am removing any specific destination.

Where things go wrong is when people care more about the process than what the process is supposed to create.

Where systematic thinking goes from direction to dictation.

That’s when things go wrong.

That’s when potential and ambition are killed in the quest for control.

But here’s the thing …

For all the processes talked about.

For all the proprietary tools hyped.

The system agencies tend to end up adopting – even when they’re hidden inside a beautifully constructed, clearly planned out, client facing framework – is this.

This is not a criticism.

To get to somewhere new … somewhere interesting and intriguing … you have to take a leap of faith at some point, even in the most well-organised, well thought-out of processes.

Some people don’t like admitting that.

Some people don’t want the pragmatism of creativity to overshadow the ego of their process.

Some people don’t even want to accept creativity rarely follows a straight line through the entire process.

And yet it is creativities ability to solve problems in lateral ways that makes it so valuable and powerful, which is why for me, those who are comfortable with uncomfortable are the ones who create the most enduring ideas for brands, business and culture.

And the ones who aren’t?

Well they tend to be the ones who use words like operationalize or optimise or codify or, the old classic, ‘proprietary tools and processes’ a lot … the ones who want to feel in control, despite the fact what they’re actually saying is they want to replicate creativity rather than ignite it.

Don’t get me wrong, there’s always some element of process in any development of creativity – whatever form that manifests – but there’s also messiness and chaos and to remove that, not make room for that or go around that is either a lie or an act against the incredibly infectious possibilities of creativity.

As Martin and I said at Cannes, chaos creates what order can’t.



Be More Like Her …
July 12, 2019, 6:15 am
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Cannes, Culture

One day – when I was in Cannes – I went for a walk.

Everything was normal – in the stylish way everything in the South of France is – until I saw this lady.

Despite it being early in the morning, it was still hot and there she was … dressed to impress in a wig, a hat and a huge fur coat.

I had never seen her before but I thought she looked awesome.

So I told her – in very broken French – and when she heard me, she held out her hand for me to kiss.

And I did.

I never thought there could be someone cooler than Samuel L Jackson.

I was wrong.



Careful. Your Data Is Showing …

The big conversation in marketing right now is around data.

So it should be, it’s insanely valuable and important.

But the irony is, while it can absolutely help us have deeper understanding about our audiences behaviour and habits – information that can lead to more powerful and valuable creativity – it’s alarming how many companies who claim to be experts in this field express themselves in ways that are the opposite of it.

Here are 2 ads I saw in Cannes …

Really?

You think that is going to convince people the data and technology you have is going to lead to better work?

You think that represents the language of your audience?

Sure, I know it’s Cannes and so there is a certain sort of person who is attending there at that moment – but they’re still bloody human.

Quite frankly, this is more an ad for celebrating ‘the old way’ rather than the new.

As Martin and I said in our presentation – if companies think creativity can be reduced to an engineering problem, then they don’t understand how society actually works.

Sure … you want consistency if you’re doing surgery.

Or making rockets.

Or producing food.

But society as a whole, is a mish-mash of complications and hypocrisy.

A group where their passions extend to far more than what they transact with … but how it integrates with their life.

Their fashion. Their music. Their games. Their language and imagery. Their context.

If you remove this from the process, you are simply creating the answer you want, not the answer that actually stands a chance of moving cultural behavior and attitudes for the long term, not just the short.

Or said another way, making brands successful in ways culture wants to stick with.

As I said, data has a huge and valuable role to play in all this.

I’m fortunate to have an extremely good data partner at R/GA … someone who not only knows what she’s doing, but appreciates it means nothing if it doesn’t help create better work.

And that’s the thing … great data doesn’t want the spotlight.

I see too much work where the brief seems to have been ‘show this data point’.

Or worse, too many briefs where it is the data point.

Great data – like great PR – is, in a lot of ways, invisible.

It liberates creativity rather than dictates it.

Revealing opportunities to think laterally not literally.

Helps you make work that reaches audience in more powerful ways.

Whether that’s where you play or how you play.

Put simply, data is an incredibly important part of modern marketing but – and this is where many people fall down – it can’t do it all.

It needs help to help make great work.

It can guide … it can reveal … it can lead … it can do so much, but it can’t do everything.

For data to truly show its full potential, it needs the nuances of culture added to it. Not purely for scalability, but for resonance.

As I’ve said many times, we need to stop looking to be relevant and start wanting to be resonant.

Making work that feels it was born from inside the culture, not from an observer.

Or said another way, work that doesn’t patronise, condescend or bore people.

Are you listening IBM and Neilsen?

Data with culture opens up more possibilities for creativity.

Allowing ideas to grow and go in places we might never have imagined.

Ideas that feel so right to the audience rather than explain why they should feel that way.



Be Careful Of Goals, You May Realize They Weren’t Worth Achieving …

As you know, I spoke at Cannes last month with the wonderful Martin Weigel.

While the talk seemed to have gone down very well, the best news was when an old colleague of mine [hello Maria] pointed me towards this …

Yes … that’s a picture of me and Martin ON GETTY IMAGES!!!

Better yet, there’s more than one of these online … there’s a whole range of them, all taken from our WARC presentation at Cannes.

Now as fun as appearing on getty images is – even if they called me the head of stratefy, rather than strategy – that’s not why I’m so happy.

As some of you know, there is a guy who appears in a whole host of stock photos who looks rather like me.

This is him …

If you still question whether we look alike, have a look at this …

See …

In other words, this guy is literally profiting off my – errrrm – looks.

Well, now I am appearing on Getty myself, I get to fight back.

Well I say that, but the idiot who thought it was a good idea to put me on Getty has shown just how mad they are by having the audacity to try and charge €475 for the pic.

EACH PIC!

Hahahahahahahahaha.

Even my Mum wouldn’t pay more than a fiver – and that would be for both and she would still expect change – so while I’m pleased I’m finally giving my doppelganger a taste of his own medicine, it’s disappointing to know even the most insane billionaire in all of billionaireverseville would never buy these so I’m not robbing him off anything.

Damnit.



Warc Show They’re Weird …

As you know, the lovely fools at WARC asked Martin and I to talk at Cannes as part of our School of Strategic Arts.

That was mistake number 1.

Mistake number 2 was recording the entire session.

But if you thought it was impossible to make matters worse, they have done it by making mistake number 3 and putting it on their site for subscribers to watch.

Hahahahahahahahahaha.

Fools.

But wait, there’s more stupidity.

Yep, more than asking us to present … at Cannes … and recording our session and then putting it on their site for subscribers to watch.

They’re also allowing people to watch it for free.

FREE.

Which, if I’m honest, is the going rate for the standard of talk we gave.

Well … that I gave. Martin, as usual, was stellar.

Damn him.

Watch it here.

Send your complaints here.