The Musings Of An Opinionated Sod [Help Me Grow!]


Professional To The Core …

For reasons I don’t understand – but I do like – I occasionally get asked for my opinion in industry magazines.

While I absolutely take what I do seriously, I have realized that if I was to compile all that I’ve said that has been printed, I would look a bit of a maniac.

For example, there’s this. Or this. Or even this.

And just recently I was asked ‘what Star Wars character would I be’ and this was my answer …

But here is the thing …

While many may think I do this because I need psychiatric help or have a career death wish, there’s another reason behind it and it’s about comfortableness.

You see when I was a youngster in the industry, I was surrounded by super-smart, super-senior people who were full of opinion, personality and provocation.

While I didn’t agree with everything they said, they helped me realise that ‘just because you take your job seriously, doesn’t mean you have to take yourself seriously’.

What this did was let me feel comfortable in taking to any of them about any madcap idea I had … let me talk to clients about subjects that may otherwise seem ‘off limits’ and let me work with colleagues without thinking it made me look weak or incapable.

In essence, cheekiness has enabled me to do – or be part of – things that I may not otherwise never have been able to do.

From work I’ve been a part of … clients I’ve worked with … agencies I’ve worked at and countries I’ve lived in.

Now of course, mischief is in my bones so it wasn’t exactly hard … but being encouraged to embrace my truth rather than oppress it had a huge benefit to my career and so while a bunch of what I say and do is because I’m a bloody idiot, there is a part of it that is intended to create the space and atmosphere to enable my colleagues and clients feel comfortable with being vulnerable … whether that’s expressing their ideas, their fears and ambitions or simply realizing that if I can have a career while still being a sweary fool, then they – with all their talent – surely can.

You might think this is a load of bollocks – and I totally understand get why – but it’s true.

The future of adland is not going to come from more processes, it’s going to come from more people being able to express or explore their ideas without fearing they will be judged, shot down or ridiculed.

And if you think that’s a dramatic statement, just go on twitter and see how the masses react to any idea that challenges the belief system they have bought into, even though they know for a fact that the very small amount of people who succeed – which are mainly white men – are generally the ones who reinforce the cliche rather than push or break them.

Happy Monday.

Advertisements


Best Of The Best Or The Least Bad?

Today I’m judging the Effies.

Oh awards …

I’ve written so, so much about them in the past.

Like here. And here. And here. And here.

I must admit, I am intrigued to see what they are going to be like in the UK.

Will they be a celebration of insightful efficiency or will they be like I experienced too many times in Asia, a stream of consciousness that just rumbles along till they think they have explained how they got to their idea and how they have proved it worked.

I guess we shall see later today.

I really, really hope they are good.

Not just because the Effies have always had a standard they’ve lived up to, but because it will give me faith the industry still has fight in it to do things right.

In my time in the UK, I’ve read a bunch of planning documents/portfolios/resumes that have been more about packaging.

Repeating a client brief in a way that has been ‘sexed up’.

Superficial.

Executional.

Literal.

There are a bunch of reasons for this.

Part of it is the lack of training agencies give their strategiests.

[Hence why we started the School of Strategic Arts]

Part of it is the huge amount of freelance planners out there who are doing exactly what they are asked because they are fighting for their livelihood.

And part of it is because of the client/agency remuneration deals which means planners are giving too little time to explore the best outcome to the problem they face.

Planning has a valuable role to play in effectiveness.

Planning has a valuable role to play in creativity.

But it needs to be allowed to do it to make it happen … so here’s hoping we see the best of what it can do today, because the Effies is not just important for the people who win, but for what the industry needs to get back to being.



Could Everyone Associated With This Please Punch Yourself In The Face …

Have a look at this …

I’ve got to be honest, I think it’s one of the most amazing ads I’ve ever seen.

Not – of course – because it’s good, but because there’s so many things in it to hate, I don’t know which one I loathe more.

From the cliched photograph that is obviously trying to associate with street culture through to the absolutely fucking awful oxymoron/pun of ‘Future Retro’ and ‘Deja New’ … there is an endless amount of hate inducing triggers in this ad.

But even those things don’t come close to releasing my inner rage as ‘Time Tracker’.

TIME TRACKER!!!

It’s a watch. A bloody watch. Yes, they ‘track time’ but they’re attempt to make it sound like the future of watches makes me literally want to kill.

Oh I am thinking about how I’d do it.

Maybe a wooden post so I can smack them around the head.

Or maybe a canon, so I can shoot them far, far away.

Or maybe … oh hang on, I know what I’ll do … I’ll make them wear that ‘time tracker’ and refer to it in the same way, so their shame will be all encompassing and complete.

Time Tracker is a perfect example of something I’ve been seeing more and more of … repositioning that isn’t repositioning.

Repositioning is about helping culture look at your brand in a totally different way.

When Wrigley’s chewing gum moved from being a sweet to a dental care product … that is repositioning.

When Poloroid cameras shifted from photography to being a social lubricant … that is a repositioning.

When Old Spice moved from being used by men to being valued by women … that is repositioning.

A watch going from telling the time to tracking the time is not.

And yet I am seeing more and more work that is trying to position themselves as a catalyst for change when they’re doing nothing but re-articulating the category expression.

One of the categories doing this the most is the financial sector.

There are more new ‘banks’ than at any point in my life.

All with quirky names.

All claiming to be revolutionizing the industry.

All stating they are being developed around the needs of their customers.

And yet not one of them seems to realize that as much as they’re trying to be seen as disrupting the banking industry, they’re doing it in exactly the same way as everyone else.

Disruption but without distinction.

But here’s the thing, are they even disrupting … because so many of them are trying to communicate you can ‘trust’ them. I get trust is important wherever money is concerned, but it is also the backbone of the industry … so in essence, they’re saying ‘we’re different’ and yet they are communicating in exactly the same way as the establishment.

In essence, they’ve become the beast they claim they were created to slay …

But they’re actually worse, because not building any distinction into their offering or behaviour except their name and choice of pastel ‘brand’ colour means all they are really building is commodotisation.

Of course that’s probably because their business plan is to be bought by the establishment and so they don’t care about long term thinking, but this – just like the idiots behind that Nixon watch – is the new ‘best practice’ for brand and business strategy.

And we wonder why the business community questions our ability to talk business.



When Cultural Appropriation Goes Too Far …

I’ve written about cultural appropriation before.

I’ve talked about how there is an element of it that [I think] is good for humanity, if handled the right – and respectful – way.

This isn’t one of those times …

Yes … Nanchos and a Yorkshire pudding.

Let’s say that again.

NACHOS.

YORKSHIRE PUDDING.

What sort of sick and twisted individual thought that was OK?

Even the people behind the ‘premium heated, mixed nuts’ on Delta, aren’t that insane.

I should point out I saw this at a Toby Carvery in Slough, so I suppose I shouldn’t be too surprised … but if I thought the French selling ‘hamburger ice cream’ was an act of war, then this should be all out nuclear attack.

And no, I didn’t buy it.

I didn’t even think about it.

Which means the one bit of good news in this sorry tale, is I might be maturing – at least where bad food is concerned.



Behind Every Clean Process, Is A Mass Of Messy

I love chaos.

Always have.

In fact, my approach to work can be summed up in 3 words.

Culture. Chaos. Creativity.

And yet, I do appreciate the importance of some sort of process … some sort of systematic thinking in terms of approach … because ultimately we are in the commercial creativity business, so we need some guide rails to ensure we’re heading in the right direction, even if I am removing any specific destination.

Where things go wrong is when people care more about the process than what the process is supposed to create.

Where systematic thinking goes from direction to dictation.

That’s when things go wrong.

That’s when potential and ambition are killed in the quest for control.

But here’s the thing …

For all the processes talked about.

For all the proprietary tools hyped.

The system agencies tend to end up adopting – even when they’re hidden inside a beautifully constructed, clearly planned out, client facing framework – is this.

This is not a criticism.

To get to somewhere new … somewhere interesting and intriguing … you have to take a leap of faith at some point, even in the most well-organised, well thought-out of processes.

Some people don’t like admitting that.

Some people don’t want the pragmatism of creativity to overshadow the ego of their process.

Some people don’t even want to accept creativity rarely follows a straight line through the entire process.

And yet it is creativities ability to solve problems in lateral ways that makes it so valuable and powerful, which is why for me, those who are comfortable with uncomfortable are the ones who create the most enduring ideas for brands, business and culture.

And the ones who aren’t?

Well they tend to be the ones who use words like operationalize or optimise or codify or, the old classic, ‘proprietary tools and processes’ a lot … the ones who want to feel in control, despite the fact what they’re actually saying is they want to replicate creativity rather than ignite it.

Don’t get me wrong, there’s always some element of process in any development of creativity – whatever form that manifests – but there’s also messiness and chaos and to remove that, not make room for that or go around that is either a lie or an act against the incredibly infectious possibilities of creativity.

As Martin and I said at Cannes, chaos creates what order can’t.



Careful. Your Data Is Showing …

The big conversation in marketing right now is around data.

So it should be, it’s insanely valuable and important.

But the irony is, while it can absolutely help us have deeper understanding about our audiences behaviour and habits – information that can lead to more powerful and valuable creativity – it’s alarming how many companies who claim to be experts in this field express themselves in ways that are the opposite of it.

Here are 2 ads I saw in Cannes …

Really?

You think that is going to convince people the data and technology you have is going to lead to better work?

You think that represents the language of your audience?

Sure, I know it’s Cannes and so there is a certain sort of person who is attending there at that moment – but they’re still bloody human.

Quite frankly, this is more an ad for celebrating ‘the old way’ rather than the new.

As Martin and I said in our presentation – if companies think creativity can be reduced to an engineering problem, then they don’t understand how society actually works.

Sure … you want consistency if you’re doing surgery.

Or making rockets.

Or producing food.

But society as a whole, is a mish-mash of complications and hypocrisy.

A group where their passions extend to far more than what they transact with … but how it integrates with their life.

Their fashion. Their music. Their games. Their language and imagery. Their context.

If you remove this from the process, you are simply creating the answer you want, not the answer that actually stands a chance of moving cultural behavior and attitudes for the long term, not just the short.

Or said another way, making brands successful in ways culture wants to stick with.

As I said, data has a huge and valuable role to play in all this.

I’m fortunate to have an extremely good data partner at R/GA … someone who not only knows what she’s doing, but appreciates it means nothing if it doesn’t help create better work.

And that’s the thing … great data doesn’t want the spotlight.

I see too much work where the brief seems to have been ‘show this data point’.

Or worse, too many briefs where it is the data point.

Great data – like great PR – is, in a lot of ways, invisible.

It liberates creativity rather than dictates it.

Revealing opportunities to think laterally not literally.

Helps you make work that reaches audience in more powerful ways.

Whether that’s where you play or how you play.

Put simply, data is an incredibly important part of modern marketing but – and this is where many people fall down – it can’t do it all.

It needs help to help make great work.

It can guide … it can reveal … it can lead … it can do so much, but it can’t do everything.

For data to truly show its full potential, it needs the nuances of culture added to it. Not purely for scalability, but for resonance.

As I’ve said many times, we need to stop looking to be relevant and start wanting to be resonant.

Making work that feels it was born from inside the culture, not from an observer.

Or said another way, work that doesn’t patronise, condescend or bore people.

Are you listening IBM and Neilsen?

Data with culture opens up more possibilities for creativity.

Allowing ideas to grow and go in places we might never have imagined.

Ideas that feel so right to the audience rather than explain why they should feel that way.



April Fools Day …

Today is a great day.

Not just because it’s a day where mischief is actively celebrated, but because throughout history, there have been a number of great things that happened on this day.

For example today is the day Dan Wieden and David Kennedy officially opened W+K.

Yep, the best communication agency in history opened on this day, which means April 1 should be a day we’re all thankful for.

Then there’s the rumour that BBH started on the same day, but having heard about some Portland ad agency starting on the same day, they decided to say theirs started on the 2nd.

Again, BBH are one of the World’s best which is another reason why we should all be thanking the calendar gods for this day.

And remember, when I say ‘best’ … I don’t mean it in the past tense. Both Wieden and BBH’s brilliance is, as I wrote here, that they have been setting standards for over 30 years. Given we’re an industry that seems to celebrate ‘hype today, gone tomorrow’, that is definitely a reason to celebrate April 1st.

But it’s not all ad agency starting … there’s the fact that today is the day I wrote one of my favourite blog posts.

The one about method planning.

The one lots of planners and industry media seemed to think was real, which not only made me very, very happy … it also proved they don’t read all the way through my posts because I admitted it’s fakeness in the very last line.

So let’s acknowledge that April 1 is epic … but the reason to celebrate it today is because it’s the day the brilliant – but evil – Amelia, launches WorldWideWeird, a compendium of where culture, tech and creativity come together in the most beautifully mad ways.

There’s a bunch of reasons for this.

One is because it’s awesome.

Another is because there’s stuff going on in the shadows that deserves a much bigger audience.

But thirdly, it’s because too many agencies still fail to understand technology is a tool of creativity and in the right hands, it allows creativity to be expressed and wielded in ways traditional creativity could only dream of.

This is certainly not meant to discredit the traditional craft of communication – of course not, that can be utterly amazing in the right hands – but the reality is there are incredible possibilities when creativity is allowed to thrive outside the usual boundaries of adland and we want to celebrate those doing it … regardless of the scale, regardless if it fails and regardless if they’re just doing it for themselves.

WorldWideWeird will come out every month, but there’s an instagram that will be updated more regularly with any weird and wonderful that catches our eye … and as Amelia is the editor of it, rather than me, you can be sure it will actually be worth reading.

I’m excited what this could do … because my hope is it won’t be just be a place where people go for dinner party fodder, but a place that both inspires and scares people to get off their arses and start pushing the boundaries of what creativity can be … because frankly, as much as I love a lot of the stuff we as an industry put out there, I get quite annoyed when agencies are credited for innovation when all they’ve really done is slightly adjust the way they make the thing they’ve always made.

Sure, there is an argument that is innovative but for me, innovation is when you do something fundamentally different … try something utterly new … fail while attempting to do something groundbreaking … and I for one would like the industry to be more associated with that than simply reframing tradition with fancy PR.

That said, today is the end of my probation period at R/GA … so depending on how my review goes, World Wide Weird might be my swansong and Amelia’s platform for even greater glory.

You can subscribe to World Wide Weird here.

Our instagram can be found here.